While I have never been prone to jealousy, I must admit that I am sometimes awash in that ugly emotion when I think about younger cinema fans who have discovered the great works of the late Jess Franco in the digital age. This has been especially true in the last several years when it seems like hardly a month goes by without some jaw dropping special edition release of what were once some of Franco's hardest to see works. 2015 has already been a banner year for Franco releases and the year is just barely over half over. One of the newest discs is Kino Lorber/Redemption's Blu-ray and DVD release of the terrific early gem from Spain's greatest cinematic outlaw, The Sadistic Baron Von Klaus.
Originally released in 1962 as La mano de un hombre muerto, The Sadistic Baron Von Klaus isn't as famous or as well regarded as Franco's other 1962 masterwork The Awful Dr. Orlof but its a supremely well-crafted beautifully composed work that more than stands the test of time. Punctuated by the beautiful black and white photography of Godofredo Pacheco (who also shot Orlof), The Sadistic Baron Von Klaus is for the most part one of Franco's most restrained and traditional works but it's sustained by a tone that is both surprisingly humorous and predictably sinister throughout. Plus it has an unsettling set-piece late in the film that is still as shocking and transgressive as ever.
A number of Franco regulars are present in front of and behind the camera for The Sadistic Baron Von Klaus including the always memorable Howard Vernon as Max Von Klaus and the great Daniel White is also on board providing the film's evocative score. Fans mostly familiar with Franco's later more unhinged films might be surprised by just how controlled and steady Franco's work here is but it is undeniably a work that could have only been made by Jess Franco and it has his stamp all over it from the first frame to the last.
Unlike a number of their other Franco releases from the past couple of years, The Sadistic Baron Von Klaus arrives on Blu-ray without any notable extras. The film's trailer is the only supplement fans are granted with this release but the new HD transfer is mostly very pleasing and is a marked improvement over Image's original DVD that was a part of their late nineties Euroshock Collection line.
When Redemption released Jean Rollin's Les Paumees Du Petit Matin (The Escapees) back in 2009 on DVD the disc felt a bit like of a Godsend for fans. After all, The Escapees had long been one of the hardest of Rollin's features to see, so finally having an official release was in itself a cause to celebrate. Sadly that 2009 DVD was mired by a number of technical issues. The non-anamorphic disc offered up a flat smeary looking print with drab colors and a generally inconsistent look. Add on to the visual problems present, Redemption's original DVD offered up the soundtrack in a muffled and static mix that did the film no favors. In other words, despite how welcome it was for Rollin's fans, the original DVD for The Escapees was a bit of a mess. Flash forward nearly six years later and Redemption (partnered with Kino Lorber) has re-released The Escapees on Blu-ray in a terrific new HD print remastered from the original 35 mm negative that trumps that original DVD in every way. Finally we can see one of Rollin's most distinctive and unique films the way it was intended and the results are, at times, startling. Few filmmakers used colors the way Jean Rollin did, and now with this new HD print we can see that this fact carried through with The Escapees. Whereas Redemption's original DVD had a flat and greyish look about it, with this new disc the colors really pop the way we know that Rollin intended. The improvement is apparent from the get-go (look at the way the dewy green grass present in the opening moments draws the viewer in immediately) and the disc's color palette stays wonderfully consistent throughout. The film's haunting and marvelous ice-skating sequence feels especially alive and vibrant now on this new disc. While I still have issues with the film and don't consider it among Rollin's finest works, I enjoyed it much more via Redemption's new Blu-ray than I ever have before. Back in 2009 I wrote that it is, "Stylistically as far away from his early dazzling Jean-Jacques Renon lighted works as possible, The Escapees is a cold and somber film" and, while I still agree partially with that, this new release shows that The Escapees is a much more electrifying and vibrant work than I had previously realized. There are still major problems with the film's final act, that not even this sharp print can help, but it isn't the "disaster" that Rollin once called it all. He was much more on point when he noted in Virgins and Vampires that “certain scenes emerged” amidst the flaws as there is an undeniably hypnotic and haunting quality about the film that is unique to Rollin’s work. The problem's with the films soundtrack have no also been corrected in this new HD version and this greatly benefits the fine if spare piano based score from frequent Rollin composer Philippe D’Aram. The Escapees remains a frustratingly inconsistent picture but it has moments of greatness. As Cathal Tohill and Pete Tombs noted in their wonderful Immoral Tales, "what is good in (The Escapees) is very good." This exciting new Blu-ray of The Escapees (which thankfully ports over the wonderful "One Day In Paris: An Interview With Jean Rollin" from the older DVD) can be ordered at Amazon. More information can also be found here.
"With its throbbing, doomy electronic soundtrack, claustrophobic atmosphere and a genuinely evil performance from Gerard Zalcberg as Hyde, Bloodbath of Dr. Jekyll is a difficult film to forget. It's slow to build, but once it gets there its grip never relaxes. The bloodbath of the title is a literal one; rather than drink a potion to transform himself into Hyde, the good Doctor immerses himself in a bath of blood-coloured liquid to release his evil desires. At the climax of the film his fiancee follows him into the bath and emerges a voluptuous, sparkling eyed femme fatale. As dawn breaks the two of them ride off in a carriage, tearing at each other's flesh."
-Cathal Tohill and Pete Tombs, Immoral Tales-
The passage quoted above served as my introduction to Walerian Borowczyk's magnificent and unforgettable 1981 film The Strange Case Of Dr Jekyll And Miss Osbourne. It was the summer of 1995 and I had just turned 22 years old. As I have written before the book Immoral Tales and the publication I would discover soon after, Video Watchdog, had a profound impact on my life and by the end of that year I was fully immersed in the grey market VHS tape trading scene along with my movie buddy Dave, who had been a frequent customer at the video store I managed in Lexington, KY.
Like junkies who were experts at the hustle, Dave and I made an art-form out of finding and trading as many rare films as possible on the limited budgets we had. At least a few times a month a new update from the likes of Video Search of Miami, Midnight Video, European Trash Cinema, Luminous and countless other mail order companies, we would order from, would show up in our mailboxes. We'd devour the listings looking for insane new titles we had never heard of, uncut and/or upgraded versions of favorites we already had and films we had read about but had only dreamed about seeing. To take advantage of the quantity discounts most of these companies offered we'd pool our money together, send off a money order and wait impatiently for our new package of dreams to arrive. We were pirates and we quickly learned all the pros and cons of each company. Video Search had the largest selection but they were the most expensive and often had the worst quality. Midnight Video had the best upgrades and catalogs, E.T.C. had the friendliest and quickest service while Luminous offered those gorgeous custom color sleeves and featured the cool as hell tape intro that copped a memorable moment from Let Sleeping Corpses Lie. It was a fun and exciting period and it was in this atmosphere of discovery that The Strange Case Of Dr Jekyll And Miss Osbourne first came into my life.
My first copy of Borowczyk's legendary masterpiece came courtesy of one of the companies listed above. Time has taken away my memory of exactly which one it was but I do remember it was one of the worst quality tapes Dave and I got in that period. No matter how atrocious the print was, or how much footage it was missing, The Strange Case Of Dr Jekyll And Miss Osbourne was a devastating experience. Here was a work that more than lived up to its legend and throughout my twenties it became one of the key films that I continually looked for better copies of. Dave and I invested in several different versions of it with no real satisfying results. As the nineties gave way to a much darker decade and VHS was phased out by a new digital format, that took up a lot less shelf space, Borowczyk's great late-period shocker became almost like a murky fantasy that a number of dedicated dreamers around the world shared.
As our twenties became our thirties, our VHS libraries of lost, missing and unknown films were replaced by official DVD versions. While many of our favorite films were finally given official releases there were some works that just seemed destined to stay lost and Borowczyk's The Strange Case Of Dr Jekyll And Miss Osbourne was one of those films. We thought we almost had it at one point when Anchor Bay mentioned it as a possibility in the early 2000s but William Lustig deemed it 'too arty' and it was taken out of consideration. It was extremely frustrating but in hindsight I get Lustig's reasoning as business man because, sadly, for many Euro-Cult lovers Borowczyk's film will indeed seem impenetrable. Of the many labels given to The Strange Case Of Dr Jekyll And Miss Osbourne over the years the only one that really sticks is that it is indeed an art-film. More than that, and as others have noted, it stands along with Andrzej Zulawski's Possession (also 1981) as perhaps the last great European Art-Film of the seventies. It was the end of a marvelous period of film-making that had been marked by daring originality and fierce non-conformity.
Finally seeing The Strange Case Of Dr Jekyll And Miss Osbourne the way that it was meant to be seen twenty years after I first viewed that barely watchable VHS copy is like having my distant dream transformed into a shockingly coherent memory. Arrow Films haven't just released the most important Blu-ray/DVD of the year, they have delivered the art world one of its great lost treasures in a version that is jaw dropping in its execution and presentation. This exhaustive special edition disc that now houses Borowczyk's once lost film is absolutely stunning and film lovers everywhere owe a sincere thank you to its chief creator Daniel Bird and his entire team, including co-producer Michael Brooke. Arriving on disc with pristine picture quality and sound, The Strange Case Of Dr Jekyll And Miss Osbourne can finally be seen as Borowczyk originally intended. Watching this version was an absolute revelation to me and, while I hate to use this cliche, it really was like seeing it for the first time.
Among the major things that I admire about The Strange Case Of Dr Jekyll And Miss Osbourne is what an incredibly flexible piece of filmmaking it is. This is Borowczyk at his most ambitious and The Strange Case Of Dr Jekyll And Miss Osbourne vaults, with apparent ease, between a Victorian horror film to a savagely witty satire to a feverish surrealist nightmare. Borowczyk achieves so much in just 90 minutes and his work here is an awe-inspiring. Add on to the fact that he was working with a relatively limited budget, on a tight shooting frame, and The Strange Case Of Dr Jekyll And Miss Osbourne becomes an even more remarkable achievement. Every shot is expertly composed and the amount of thought that is apparent in even the film's most seemingly unimportant moments is astounding. No filmmaker has ever successfully forced an audience into a more voyeuristic mode than Borowczyk. Even a key sequence like the reading of Jekyll's will is filmed through a doorway as if we are peaking in to an event that we are not supposed to be privy to. Among the most remarkable achievements on hand in The Strange Case Of Dr Jekyll And Miss Osbourne is that, despite how dialogue driven the mid-section is, it manages to recreate the bewitching spell and mood of a great silent film. Also, just about an hour in, Borowczyk delivers one of the great 'how did they do that' effects in all of cinema during the film's first transformation scene. It's one of those moments, like the last shot in The Passenger, that cinephiles will return to again and again.
Among the things that surprised me the most revisiting The Strange Case Of Dr Jekyll And Miss Osbourne was just how devilishly witty it is in its middle section thanks to Borowczyk's sharply satirical stab at a repressed upper-class and legendary Patrick Magee's wonderfully over the top turn as the bumbling patriarchal General. Be sure to watch the English dub of the film to see the full power of Magee's delicious turn.
The whole cast is quite extraordinary and was one of the best ensembles Borowczyk ever got to work with. While such Euro-Cult favorites as Udo Kier and Howard Vernon will be the most recognizable it is the mesmerizing Marina Pierro, as Miss Osbourne, who commands the most attention. There is a clear and special bond between Borowczyk and Pierro that only comes around once in a great while in film and this stands as their key work together. Pierro's final transformation (a resounding feminist statement against male repression and stereotyping) is one of Borowczyk's great moments and no description of Pierro in the film's pulverizing closing seconds will suffice. No longer keeping us peering through half closed doors, Borowczyk brings his audience inside the frame as The Strange Case Of Dr Jekyll And Miss Osbourne comes crashing to a close to the point where we are no longer just watching but we are actually experiencing the film. The final half hour of The Strange Case Of Dr Jekyll And Miss Osbourne is, simply put, unlike anything else ever put on the screen and stands with any great cinematic moment you care to name.
The Strange Case Of Dr Jekyll And Miss Osbourne has been granted a Criterion Collection style release and contains a number of absolutely essential bonus features, most of which were created by Daniel Bird. First up, the disc has an engrossing and fascinating commentary track made up of a 1981 archival discussion with Borowczyk and new interviews with cinematographer Noel Very, editor Khadicha Bariha, assistant Michael Levy and filmmaker Noel Simsolo. Expertly put together by Bird, this is one of the most rewarding commentary tracks I have heard in ages.
Two short films can be found on Arrow's disc including a newly discovered Borowczyk animated work called Happy Toy, a charming and surprising film from 1979. Also on hand is the startling Himorogi, a 16 minute 2012 homage to Borowczyk by his greatest muse Marina Pierro and Alessio Pierro.
A number of interviews are included on this special edition as well including a touching chat with Udo Kier and a thought-provoking talk with the fiercely intelligent and intense Pierro (who appears off-camera). We are also treated to a discussion with Alessia Pierro on Himorogi and the charming collaborator Sarah Mallinson.
Rounding out the superlative extras on The Strange Case Of Dr Jekyll And Miss Osbourne are a number of featurettes including a terrific 30 minute introduction to Borowczyk, which is both wonderfully informative and personal, by the disc's co-producer Michael Brooke. An insightful video essay on Borowczyk by Adrian Martin and Cristina Alvarez Lopez entitled Phantasmagoria of the Interior follows as well as two terrific Daniel Bird works, Eyes That Listen (a profile of the daring composer Bernard Parmegiani) and Return To Melies: Borowczyk and Early Cinema (an ingenious look at how silent cinema helped shape Borowczyk and especially The Strange Case Of Dr Jekyll And Miss Osbourne). The theatrical trailer and a long booklet is also included.
Arrow's special edition The Strange Case Of Dr Jekyll And Miss Osbourne is not only an absolutely essential purchase for Borowczyk fans but also for art and cinema lovers in general. The Strange Case Of Dr Jekyll And Miss Osbourne is one of the most important films of the past fifty years and with Arrow's Blu-ray/DVD combo it has finally been given the proper release and respect it has been deserving of for such a very long time. A distant dream no more, The Strange Case Of Dr Jekyll And Miss Osbourne is finally a reality for us. Please open your eyes and see...
-Jeremy Richey, 2015-
***My stills above are taken from the DVD and do not represent the amazing quality of the Blu-ray. Read More About this release at Arrow's site and please order/review at Amazon or your favorite retailer.
The much anticipated new documentary from Damien Dupont on Jean Rollin, The Stray Dreamer, is hitting DVD this July. More information on this all region English subtitled disc can be found here. Also, here is an interview I conducted with Damien awhile back.
The much anticipated second feature film, after the extraordinary After The Triumph of Your Birth, from writer and director Jim Akin is making its big screen premiere on the evening of May 8th at The American Cinematheque's Egyptian Theater. The Ocean of Helena Lee is one of the most brilliant and evocative American films in recent memory and anyone in the Hollywood area on May 8th should do everything in their power to attend The American Cinematheque's screening, which will be followed by a conversation with the film's cast and crew, moderated by Allison Anders and Josh Olson, and a special performance by one of the film's stars, the legendary Maria McKee.
A few strong pieces have already been written on The Ocean of Helena Lee, including these by Sheila O'Malley and Dennis Cozzalio and the incredible soundtrack by McKee and Akin is available here. My own look at the film, along with two in depth interviews with Maria, can be read in the third issue of Art Decades, which is now available at Amazon. Even if you can't make the premiere, please follow this stunning piece of American Independent filmmaking at its official Facebook page, at Twitter and its official site. It's a poetic and powerful film and one of my favorites of the decade.
One of the most sought after films in Nastassja Kinski's filmography is finally getting an uncut Blu-ray and DVD release here in the states courtesy of the great folks over at Cult Epics. Stay as You Are (Cosi Come Sei) will be released on May 12th in a sparkling new HD transfer with both its original Italian language track, as well as the English language dub. The film will be available to order at Cult Epics official site, as well as Amazon and other fine retailers.
I will be featuring a couple of in depth looks at this new release of one of Kinski's most important films in the upcoming months and, in the meantime, please feel free to visit my older posts on it as well.
One of the most sought after films in Nastassja Kinski's filmography is finally getting an uncut Blu-ray and DVD release here in the states courtesy of the great folks over at Cult Epics. Stay as You Are (Cosi Come Sei) will be released on May 12th in a sparkling new HD transfer with both its original Italian language track, as well as the English language dub. The film will be available to order at Cult Epics official site, as well as Amazon and other fine retailers. I will be featuring a couple of in depth looks at this new release of one of Kinski's most important films in the upcoming months and, in the meantime, please feel free to visit my older posts on it as well.
Redemption and Kino Lorber's excellent The Cinema of Jean Rollin line finally has a new title coming out! The Escapees (Les paumées du petit matin) will be hitting Blu on May 26th and here are the specs:
Mastered in HD from the original 35mm negative French audio track with optional English subtitles One Day in Paris: An Interview with Jean Rollin (2008, 28 min.)
Hopefully everyone reading is familiar with Erich Kuersten and his amazing writing. If not, please stop reading and head over to Erich's essential blog Acidemic immediately and experience some of the best writing on film you'll ever read online or in print. Erich was one of the first writers I thought of more than a year ago when I first began planning ART DECADES and I am thrilled that he has appeared in both of our first issues (and his appearance in Issue 3 is on the horizon). Erich has been exploring the solo works of my favorite artist Lou Reed for ART DECADES. His look at Lou's work in the seventies was spread about between Issues 1 and 2 and Issue 3 will contain his look at Lou in the eighties. I've loved reading Erich's distinctive takes on my Lou's wildly influential solo career these past few issues and I trust fans of Lou and Erich are enjoying them as much as I am!
Among the finest pieces in ART DECADES issue 2 is Tara Hanks' wonderfully informative and moving article on the much-missed British Pop Artist Pauline Boty. Tara's near eight page article on Boty is a fascinating look at a true feminist pioneer and one of the great artists of the sixties. More information on Boty can be read here and please visit Tara's official site as well.
Issue two of ART DECADES features an exclusive new interview with cult film legend Mary Woronov conducted specifically for us by our contributor Dave Stewart. This lengthy chat finds Mary discussing her entire career and what it was like to work with everyone from Andy Warhol to The Ramones. She also discusses her passion for painting and much more.