Recent Posts from my Official Site
Subscribe to:
Post Comments (Atom)
Moon in the Gutter (Month By Month)
-
►
2014
(26)
- Dec 2014 (2)
- Nov 2014 (1)
- Oct 2014 (3)
- Sep 2014 (1)
- Aug 2014 (1)
- Jun 2014 (1)
- May 2014 (3)
- Apr 2014 (1)
- Mar 2014 (5)
- Feb 2014 (3)
- Jan 2014 (5)
-
►
2013
(72)
- Dec 2013 (4)
- Nov 2013 (4)
- Oct 2013 (2)
- Sep 2013 (4)
- Aug 2013 (3)
- Jul 2013 (1)
- Jun 2013 (4)
- May 2013 (19)
- Apr 2013 (9)
- Mar 2013 (5)
- Feb 2013 (7)
- Jan 2013 (10)
-
►
2012
(120)
- Dec 2012 (25)
- Nov 2012 (3)
- Oct 2012 (10)
- Sep 2012 (4)
- Aug 2012 (4)
- Jul 2012 (3)
- Jun 2012 (7)
- May 2012 (7)
- Apr 2012 (14)
- Mar 2012 (11)
- Feb 2012 (11)
- Jan 2012 (21)
-
►
2011
(16)
- Dec 2011 (7)
- Nov 2011 (2)
- Oct 2011 (1)
- Jul 2011 (2)
- Apr 2011 (2)
- Mar 2011 (1)
- Jan 2011 (1)
-
►
2010
(22)
- Dec 2010 (1)
- Oct 2010 (1)
- Sep 2010 (2)
- Jul 2010 (3)
- Jun 2010 (1)
- Apr 2010 (9)
- Mar 2010 (5)
BLOG CREATED, EDITED and WRITTEN BY JEREMY RICHEY: Began in DEC 2006. The written content of all posts (excepting quotes from reviews, books, other publications) COPYRIGHT JEREMY RICHEY.

9 comments:
This is one of those films that haunts my dreams. I developed a big crush on Irene Jacob thanks to this film and RED only sealed the deal. This is just an incredible film that really illustrates the alluring screen presence of Jacob - the camera just loves her. It's a shame that no filmmaker since has been able to convey the same kind of mystique that she radiates in those two films.
Nice collection of images.
Truly a film like no other. It gets to me in ways that I find hard to verbalize.
Kieslowski & Idziak's work together was always stunning (even in a naturalistic film like The Scar), but Veronique stands above the others.
Thanks to you both. This is the first of four Kieslowski films I will be eventually highliting in this series....hope those stills prove enjoyable as well....JD, I agree on Jacob. It's sucha shame that no other director has managed to capture what Kieslowski did with her...they were one of cinema's most magical teams.
Jeremy:
"...It's sucha shame that no other director has managed to capture what Kieslowski did with her...they were one of cinema's most magical teams."
Yeah, I really got the feeling that she was his muse, of sorts. You really don't see that much anymore but they were a great team. It's a shame that they didn't do more films together.
Thanks JD,
His work with Binoche in BLUE is incredible but there really was some spiritual connection with Irene that came out in their work together.
Next to Red, this is the Kieslowski film I rate the highest, and no coincidence that Jacob is in both of them. KK did bring out the very best in her. She seemed totally at one with his themes and managed to convey a great sadness to her roles. Looking through his body of work, he really did have a very special talent for directing actors - you mentioned Binoche in Blue, Jeremy - and must have been a joy to work with. You chose some nice shots.
Jeremy:
"His work with Binoche in BLUE is incredible but there really was some spiritual connection with Irene that came out in their work together."
You are definitely right about BLUE. That is a great film as well. Hell, the Colors trilogy is an incredible cinematic achievement. No question, there.
Oh thank you so very much. This is one of my favorite films - in fact, it's one of the first "arthouse" films I'd seen as a teenager. (I don't count my fuzzy childhood recollections of Tarkovsky's "Solaris" on my parents' black and white TV set).
Thanks Steve, JD and Tanya for the continuing comments. It's nice to see so much love thrown to such a deserving and special film.
Post a Comment